Obsidian Field
Near-black field with warm mineral flecks that catch low light. A quiet backdrop for brass and warm wood.
Palette
Twelve surfaces
Start here, then we pull real slabs.
Chuckwalla Brown
Deep coffee base broken by rust and cream crystal. Hides everyday kitchen traffic better than almost anything.
Bighorn White
Bright white ground with black and grey crystal. The classic salt and pepper granite, and still the most forgiving.
Desert Gold
Warm sand and amber with darker mineral drift. Pairs naturally with the gold hardware showing up in valley remodels.
Santa Rosa White
Soft white with restrained grey movement. Consistent slab to slab, which matters when a long run needs several pieces.
Indio Sand
Warm cream with a fine even grain. Quiet enough to sit under busy cabinetry without competing with it.
Cathedral Grey
Mid grey with a matte finish. Fingerprints and water spots read far less than they do on a polished surface.
Midnight Quartz
Charcoal to near black with a fine sparkle. Dramatic on an island, and non-porous where spills actually happen.
Blue Ember
Slate blue with white quartz veining that shifts across the slab. We cut each piece to keep the movement running.
Painted Canyon
Amber and bronze veining over a warm ground. Reads like the canyon walls above the valley in late afternoon.
Snowline
White ground with grey veining and real depth. The look of marble with the hardness to actually live in a kitchen.
Copper Ridge
Rust and iron tones with a leathered texture you feel before you see. Strong choice for a bar top or a hearth.
Showing all 12 surfaces
These are our house colour studies, rendered to show the character of each family: the crystal structure in a granite, the even particle grain in a quartz, the veining in a quartzite. They are a common language for the appointment, not a stock list. Natural stone is sold by the individual slab, so the piece that ends up in your kitchen is one you pick in person, and we lay it out before a single cut.
Applications
What we build most
Four ways the stone gets used.
Drawn as elevations, the way we sketch them at the table with a customer. The surfaces are filled with our own house palette so you can see how a material behaves at scale.
Kitchen island, waterfall ends
A mitered waterfall carries the slab down both ends of the island. The seam is cut so the veining keeps running around the corner.
Bath vanity, undermount basins
Undermount basins with a polished cutout edge, and a four inch splash cut from the same slab so the grain carries up the wall.
Fireplace surround and hearth
Surround, header and hearth cut from one slab so the veining stays continuous around the firebox. This is where the fireplace side of the business meets the stone shop.
Outdoor bar and grill island
A leathered top with a raised bar and a twelve inch overhang. Outdoor work gets a heavier build and a finish that will not show water in full sun.
Next step
Bring us a room.
A photo of the space and a rough measurement is enough to start. We will tell you what is realistic before you fall in love with the wrong slab.